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      <image:title>Welcome - Issue 17</image:title>
      <image:caption>Featuring new writing from Andrew Cowan and Davina Quinlivan. In conversation with Tor Falcon</image:caption>
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      <image:title>Welcome - Lorna Sage’s Bad Blood</image:title>
      <image:caption>The Spring 2021 issue of Hinterland celebrated a work seminal to the genre of life writing: Lorna Sage’s Bad Blood, with a collection of exclusive-to-Hinterland pieces by Christopher Bigsby, Victor Sage and Sharon Tolaini-Sage, with a foreword by Kathryn Hughes, that illuminate and respond to the legacy of Sage’s memoir, now entering its third decade of continuous publication.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Welcome - Hinterland is a print magazine showcasing the best in creative non-fiction.</image:title>
      <image:caption>Each issue features a stellar line-up of writing talent from around the globe: stories by established, best-selling authors as well as introducing you to a host of exciting new writers making their publishing debut. Read our story.</image:caption>
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      <image:title>First Issue On Sale Now</image:title>
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    <loc>https://www.hinterlandnonfiction.com/our-story</loc>
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    <lastmod>2025-11-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1683224686834-UOF5RX1FEYG0DLDU0VII/Hinterland-009-Cover-Art.jpg</image:loc>
      <image:title>What is Hinterland?</image:title>
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      <image:title>What is Hinterland?</image:title>
      <image:caption>Editors Andrew Kenrick (left) and Freya Dean (right) with the author Damian Le Bas (centre)</image:caption>
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    <loc>https://www.hinterlandnonfiction.com/stockists</loc>
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    <lastmod>2025-03-19</lastmod>
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    <lastmod>2025-07-14</lastmod>
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      <image:title>Hinterland Prize - The Hinterland Prize 2019</image:title>
      <image:caption>Creative Non-fiction Contest</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1752529084708-LMLQZ9DKS88R08IIR7IV/unsplash-image-kgqu_qs3B78.jpg</image:loc>
      <image:title>Hinterland Prize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Hinterland Prize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Hinterland Prize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/bc26d764-c09f-4f22-b759-4514a9b84f21/unsplash-image-KZNTEn2r6tw.jpg</image:loc>
      <image:title>Hinterland Prize - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.hinterlandnonfiction.com/issue-2</loc>
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    <lastmod>2019-08-02</lastmod>
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      <image:title>Issue 2 on sale now</image:title>
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      <image:title>Issue 2 on sale now</image:title>
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    <lastmod>2019-10-31</lastmod>
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      <image:title>On sale now</image:title>
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    <loc>https://www.hinterlandnonfiction.com/privacy</loc>
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    <lastmod>2023-02-10</lastmod>
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  <url>
    <loc>https://www.hinterlandnonfiction.com/newsletter</loc>
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    <lastmod>2024-11-03</lastmod>
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      <image:title>Stay in Touch</image:title>
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    <loc>https://www.hinterlandnonfiction.com/issue-4</loc>
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    <priority>0.75</priority>
    <lastmod>2020-06-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1582466201941-Y4MO5A5GJMWC1LXWS63N/H004-Web-Cover.jpg</image:loc>
      <image:title>Issue 4</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.hinterlandnonfiction.com/tessa-mcwatt-interview</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-06-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1591631621256-6QZEDTVKOCWXH43LOQHD/In+conversation+with+Tessa+McWatt+-+portrait.jpg</image:loc>
      <image:title>Tessa McWatt Interview - In Conversation with Tessa McWatt</image:title>
      <image:caption>Back in January 2020, Hinterland editor Andrew Kenrick and contributing editor Yin F. Lim sat down with Tessa McWatt, author and Professor of Creative Writing at the University of East Anglia, to discuss her memoir Shame On Me; in a conversation which delved into racism and antiracism, the Meghan Markle effect, and the relationship between literature and activism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1591706609451-AMNOZQJDPLXUFTQ5ZV39/2020-02-24+11.33.49.jpg</image:loc>
      <image:title>Tessa McWatt Interview - This interview first appeared in Hinterland Issue 4. Shame On Me is out now in hardback from Scribe.</image:title>
    </image:image>
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    <loc>https://www.hinterlandnonfiction.com/issue-5</loc>
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    <lastmod>2020-09-04</lastmod>
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      <image:title>Issue 5 - Advance Order Now</image:title>
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    <lastmod>2023-02-10</lastmod>
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  <url>
    <loc>https://www.hinterlandnonfiction.com/shipping-returns</loc>
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    <lastmod>2024-01-13</lastmod>
  </url>
  <url>
    <loc>https://www.hinterlandnonfiction.com/lorna-sage</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/f7c9a1ff-3837-4ba3-8f32-fcf4b4b8504c/Lorna_Sage.jpg</image:loc>
      <image:title>Lorna Sage - Lorna Sage’s Bad Blood</image:title>
      <image:caption>The Spring 2021 issue of Hinterland celebrated a work seminal to the genre of life writing: Lorna Sage’s Bad Blood, with a collection of exclusive-to-Hinterland pieces by Christopher Bigsby, Victor Sage and Sharon Tolaini-Sage, with a foreword by Kathryn Hughes, that illuminate and respond to the legacy of Sage’s memoir, now entering its third decade of continuous publication. You can read two articles from the issue below, or buy a copy from our webstore here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/35b49e6c-3926-4cc2-be53-4fbbde602b9c/Sharon+Sage+staring+down+road+from+Sunnyside.jpg</image:loc>
      <image:title>Lorna Sage - My Mother’s House</image:title>
      <image:caption>My Mother’s House by Sharon Tolaini-Sage</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/b642d066-60e1-41a3-a02b-de2c9b2492fb/Bad+Blood+cover.jpg</image:loc>
      <image:title>Lorna Sage - Reading, Writing and Witnessing</image:title>
      <image:caption>By Victor Sage</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.hinterlandnonfiction.com/vic-sage-writing-reading-witnessing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/259304c3-5a4a-4ecd-b51d-0aa3b09ad38e/Bad+Blood+cover.jpg</image:loc>
      <image:title>Vic Sage - Reading, Writing, Witnessing - Writing, Reading and Witnessing, by Victor Sage</image:title>
      <image:caption>Victor Sage is an Emeritus Professor of English Literature in the School of Literature Drama and Creative Writing at UEA. He is the author of one collection of short stories, Dividing Lines (Chatto), and two novels, A Mirror For Larks (Secker) and Black Shawl (Secker). He has written extensively on the Gothic tradition and is the editor of Charles Maturin's Melmoth the Wanderer and Sheridan Le Fanu's Uncle Silas for Penguin Classics. Recent work has been on the European Gothic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1620813490859-4DX67RLL9H0U3WS5LZSN/2021-04-01+10.10.57.jpg</image:loc>
      <image:title>Vic Sage - Reading, Writing, Witnessing - This article first appeared in Hinterland Issue 7.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.hinterlandnonfiction.com/sharon-tolainisage-my-mothers-house</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/06521500-a939-4b5d-9e37-2005a94cb0cd/Sharon_Tolaini-Sage.jpg</image:loc>
      <image:title>Sharon Tolaini-Sage - My Mother's House - My Mother’s House, by Sharon Tolaini-Sage</image:title>
      <image:caption>Sharon Tolaini-Sage has been Lorna Sage’s Literary Executor since 2000. She is an Associate Professor at Norwich University of the Arts, where she specialises in working with students on the cultural and contextual aspects of digital games. In addition to her role as an educator, Sharon is a translator and writer for Pulp magazine. Since 2017 she has been an Ambassador and an Advisory Board member of Women in Games. In 2020 she was a highly commended finalist in the Times Higher Education Awards’ Most Innovative Teacher of the Year.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/4db3d13e-15b2-4ea5-8f3c-430e38477de7/Sharon+Sage+staring+down+road+from+Sunnyside.jpg</image:loc>
      <image:title>Sharon Tolaini-Sage - My Mother's House</image:title>
      <image:caption>Pre-teen me on a visit to my grandparents. Somehow I had a Polaroid camera. It enabled me to inveigle my grandmother into taking a series of greyed, indistinct images, such as this one, featuring the grand posed gesture. What did I mean by it? Reading the image with the irony of now, the gesture seems melodramatic, portentous – looking wistfully down Wrexham road towards Hanmer. Sharon Tolaini-Sage Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/04a828bb-5fca-411a-8fff-69d84b64c405/Letter+from+Durham+rejecting+Lorna.jpg</image:loc>
      <image:title>Sharon Tolaini-Sage - My Mother's House</image:title>
      <image:caption>While pregnant with me, Lorna applied to Durham, and this was the Principal of St Aidan’s, Miss Scott’s response. Once married, and having taken her ‘A’ levels, Lorna applied again. The university changed its rules to allow married women entry to admit her. Sharon Tolaini-Sage Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/8421fcbe-71d3-4378-a50b-d7f7ccfd9989/Letter+from+LS+to+to+mother+30-5-1963.jpg</image:loc>
      <image:title>Sharon Tolaini-Sage - My Mother's House</image:title>
      <image:caption>Lorna to her mother Valma, dated May 30th, 1963, the day after my third birthday. Sharon Tolaini-Sage Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1620813490859-4DX67RLL9H0U3WS5LZSN/2021-04-01+10.10.57.jpg</image:loc>
      <image:title>Sharon Tolaini-Sage - My Mother's House - This article first appeared in Hinterland Issue 7.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.hinterlandnonfiction.com/issue12</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1683225374438-EK88ONLMBURZIF8SR4VH/unsplash-image-GTg4SRNR7Q8.jpg</image:loc>
      <image:title>Issue 12</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1674042078268-EPGK6FILBHECL2YAKP75/H012-Cover.jpg</image:loc>
      <image:title>Issue 12 - ISSUE 12 - Autumn 2022</image:title>
      <image:caption>Much of the writing in this issue relates to the body. Whether it’s addiction, illness or a coming-of-age awareness of desire, the authors featured explore how bodies can be afflicted and affected in many different ways. And in light of the recent Covid pandemic, reflections around life and mortality are inevitable, from parental time-travel through a child’s life by Jarred McGinnis (The Coward), to grief as experienced via our online lives by Joe Moran (If You Should Fail, First You Write a Sentence).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.hinterlandnonfiction.com/issue11</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1683225374438-EK88ONLMBURZIF8SR4VH/unsplash-image-GTg4SRNR7Q8.jpg</image:loc>
      <image:title>Issue 11</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1659007737210-5ZI5XB23QNXAQQ1EA7LO/Issue+11+cover-600.jpg</image:loc>
      <image:title>Issue 11 - ISSUE 11 - Summer 2022</image:title>
      <image:caption>Issue 11 is a place writing special, published in collaboration with Manchester Metropolitan University’s Centre for Place Writing. Guest-edited by Andrew Michael Hurley (award-winning author of The Loney), Issue 11 is headlined by Jean Sprackland (These Silent Mansions, Strands) and includes a host of writers who transport us to places as varied as the Andes and the Somerset Levels, the coastlines of Dar es Salaam and Withernsea and many more besides.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.hinterlandnonfiction.com/issue10</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1683225374438-EK88ONLMBURZIF8SR4VH/unsplash-image-GTg4SRNR7Q8.jpg</image:loc>
      <image:title>Issue 10</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1649788666033-UFHTNE60MSWZW2OEDTQL/Hinterland+Issue+10+cover-600.jpg</image:loc>
      <image:title>Issue 10 - ISSUE 10 - Spring 2022</image:title>
      <image:caption>Writer Phillip Lopate described the essay as ‘an open-ended adventure, an invitation to doubt and self-surprise’. The essays in this special issue use the form as a platform to allow a multitude of voices to ring clear, inviting us to explore topics as varied as nature, trauma, last lines of poetry, and Esperanto.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.hinterlandnonfiction.com/event</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-06-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/11376ece-ad30-4f0e-9ec6-d0502b8e52d2/2019-04-29+17.04.10.jpg</image:loc>
      <image:title>Event - Our Summer Celebration Event</image:title>
      <image:caption>Hinterland presents… the finest voices in creative non-fiction Wednesday 21 June - 6.30-8.30pm National Centre for Writing, Dragon Hall, Norwich Celebrate the summer solstice with a stellar line-up of readings from the most exciting international writers working in creative non-fiction today. Find out more here or book tickets here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.hinterlandnonfiction.com/mentoring</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1683066962969-3XVWD5O7RDSHTS9FBLWP/H012-Cover%252B-%252BCopy.jpg</image:loc>
      <image:title>Mentoring</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/ff77a23d-fdb9-4e1e-8611-457d988d1e79/gift-habeshaw-gBQGMTt68_A-unsplash.jpg</image:loc>
      <image:title>Mentoring - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1606255209468-WBTF95XLGUQA4KVMRIYO/greensplash.png</image:loc>
      <image:title>Mentoring</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1606255209468-WBTF95XLGUQA4KVMRIYO/greensplash.png</image:loc>
      <image:title>Mentoring - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bba1ba89b8fe86db24b5b17/1606252265572-NK569AD7FXIEQCEMD8VR/pinksplash.png</image:loc>
      <image:title>Mentoring</image:title>
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